Tag Archives: film

Inglorious Bastnerds Spoiler Podcast: ‘Captain America – The Winter Soldier’

rw345

It’s time once again for another spoiler special for myself and the Bastnerd boys. Chris, Ian and I (@Celluloidical) are joined by regular guests, film journos – Amon Warmann and Mr Christopher Ejizu as we dive deep into the latest Marvel Studios outing – Captain America – The Winter Soldier. Which opens in the US on April 4th. (Sorry guys. We got there first – again!).

Aside from the obvious spoiler warning. I say this. Unlike Total Film, we actually have varying opinions. As opposed to just bitching and moaning. So, yeah.
Anyway, follow the guys and rate, subscribe to the podcast/sites and leave a review. Thanks and enjoy.

Click here to visit the podcast page.

 

@CinemaTronix (www.cinematronix.co.uk)

@i_nesbot (www.redbubble.com/people/inesbot)

@awarmann (www.amonymousblog.com)

@movieumpire (www.movieumpire.com)

 


‘The Hobbit: An Unexpected Journey’ – My Thoughts

"Gard Gard Gard Gard..."

“Gard Gard Gard Gard…”

So it’s been a little over a week since the long-awaited adaptation of J.R.R. Tolkien’s much-adored ‘The Hobbit’ (Part 1, mind) was released, and I’ve been itching to give my opinions on Peter Jackson’s return to Middle Earth…….

Spoilers ahead, here are the moments of greatness, and in some cases – shiteness of ‘An Unexpected Journey’…

 

What Was Great.

1. Martin Freeman as Bilbo Baggins

Martin Freeman as Bilbo Baggins in The Hobbit: An Unexpected Journey

A given, right? After the announcement of ‘The Office’ alum’s casting, I never stopped thinking it was nothing short of genius. His performance is laced with an air of naivety, disengaged charm, and an almost sense of self-preservation at the film’s beginning. Freeman captured everything I wanted to see in this character, and the encounter with Gollum and subsequent conclusion of the movie was some of the most entertaining and highly focal points for me.

2. The Design

JHOWEGANDALF

A lasting impression of the LOTR trilogy was the design work inspired by conceptual artists Alan Lee and John Howe. Their astounding and beautiful interpretations of the various locales, architecture and characters of Middle Earth are further realised in ‘The Hobbit’, and will receive a whole new audience of fans. Much to thank those guys for.

3. The Trolls Scene

trolls

Take Freeman’s Bilbo, throw in a few ponies, add a couple of daft, bumbling Kiwi trolls with a hunger for bearded midgets…. And you get one of the most endearing, faithful sequences in the entire movie. Grinned from ear to ear during this one!

4. Gollum and The Return Of Andy Serkis

34343

How could I do this list without citing Gollum and Andy Serkis in some form…? I’d be lying to myself if I ever did. The show stealer in the LOTR trilogy, and the catalyst of the events that lead up to the epic Jackson saga returns to give us an uncompromising reminder of why he is such a memorable part of modern cinema. It’s weird to think that I will never see Gollum again on-screen in this capacity, so I’ve really taken Serkis’ performance in this film to be somewhat bittersweet. Alas, it’s an amazing reprise from Andy.

5. The Location Shooting

HELLOFROMLOCATION

Since the release of ‘The Return Of The King’, the influx of green screen and blue screen has contributed to the exhausting cookie-cutter popcorn flicks that have littered Hollywood for a decade. However Peter Jackson, his team at Wingnut, New Line and WB persevered to keep the grandiose and breathtaking scale that the LOTR trilogy took on. The location shooting vlogs that were posted through the early parts of last year, gave us an incredible insight into the huge amount of work that is put into such a mammoth task. What we see on-screen are the fruits of that labor. Beautiful stuff.

What Didn’t Cut The Mustard (My opinion…)

1. The Dwarves (SPOILER ALERT)

"Hugh, Pugh, Barney, McGrew, Cuthbert, Dibble and Grub"

“Hugh, Pugh, Barney, McGrew, Cuthbert, Dibble and Grub”

Yeah, I know. Old record, old record. Certainly with the amount of characters that ‘The Hobbit’ boasts – it would be pointless to have a gripe about screen time for 13 dwarves. But mine isn’t about that – it’s the execution. Of the Company, with the exception of Thorin (Richard Armitage) – Balin (Ken Stott), Kili (Aidan Turner) and Bofur (Jimmy Nesbitt) are the dwarves with the most screen time/dialogue in the movie. We are also given a slight nod as if to suggest that these characters will be much more prominent and of greater importance in at least the second movie. What actually frustrated me was how forgettable they all were. Next to no characterisation for most of the Company, and when we do see some it’s either far too early in proceedings or just too little too late.

2. Old Bilbo (As Played by Ian Holm)

GRGR4

Love Ian Holm – let me make that perfectly clear. Awesome beyond belief in the LOTR films, and perhaps one of my favourite actors of the entire trilogy. Personally, I really enjoyed seeing him return briefly in his scenes with Frodo (Elijah Wood), which allowed a nice bridging point between the LOTR movies and these new films. But something really bugged me. It’s a small nitpick – but it’s so fucking unbelievably obvious.

It’s the hair.

Ok, yeah – “What the fuck, Scott? Get over it…” – Well I fucking can’t, ok?

It’s been 12 years since we last saw old Bilbo in Bag End. So Weta digital have used their magic to ‘de-age’ the veteran act0r to make him look more similar to his younger self. The hairpiece however, is not Holm’s own hair we can easily assume. So why did they do this….?

Yeah, really... I'm moaning about this

Yeah, really… I’m moaning about this

I’m a big continuity buff, and a confessed moaner. But come on, really? The hair is completely different. The reference points are in the DVD cabinets of nearly every single person that worked on the movie!

On the left, a still of ‘Fellowship’, the hair is bushy, almost feathered, also fairly thick and at cheek length. On the right hand side, we see Bilbo as he appears in ‘The Hobbit’. The hair is thinner, lank and also nearly at CHIN length. Bilbo’s appearance in the new movie is one that precedes events in ‘An Unexpected Journey’ – but also takes place in the same time line period as the beginning of ‘Fellowship’… e.g THAT PICTURE ON THE LEFT. Come on, now. It’s a silly mistake that shouldn’t have been made. It’s absolutely glaring.

Meh…. Next….

3. The Seemingly Non-existent Use of Human Actors for Goblins/Orcs/Trolls/Whatever

Looks stoopid

Looks stoopid

I was excited to see more of the amazing work from Weta’s visual effects and makeup department. But sadly, we weren’t so lucky this time around. The creatures that are featured in the movie are beautifully realised. However it just didn’t have that same magic as having real actors in the performance. It didn’t really tarnish the film on an enjoyment scale, rather just made me question whether Jackson is heading down the same dark path as another certain filmmaker did a long, long time ago.

4. The Film’s Opening Hour

"WE ARE LAUGHING!"

“WE ARE LAUGHING!”

‘An Unexpected Journey’ has a run time which may agitate and even frustrate some theatre-goers. But personally, I didn’t mind it at all. But the first adventure of Bilbo and the Dwarves has such a slow build up, it really did test my patience for the first 45 to 60 minutes. In particular the meeting at Bilbo’s house. Christ… such… a…. fucking…. drag…. Leave already!

5. The Smaug Money Shot

rg

After a successful third act. I really was looking forward to finally getting a glimpse of the dragon, Smaug in all his hellish glory. This was not the case.

With the extreme lengths that Weta went to prevent us viewing folk from seeing the antagonist during the (seriously too long) prologue, I was convinced that we’d get to see him rolling around in his gold like a pig in shit. What we got was an eyeball…. Haha, a great eye. Maybe that was a little joke on their part. Well, you got us. Fuck you anyway :-)

—————————————————————–

Let’s just be clear on one thing…. I LOVED this movie. Thank you to everyone that worked on it!


Best & Worst Of 2012

2012r34r3

 

No filler. Let’s do this.

Here are my Top 10 Worst films (viewed by me) released in the United Kingdom over the last 12 months. My review of the movies (if applicable) can be found at the link after the title/director

 

1. ‘Resident Evil: Retribution’ (Paul W.S. Anderson) http://boxd.it/uIU3

2. ‘Friends With Kids’ (Jennifer Westfeldt) http://boxd.it/j4Hh

3. ‘Twilight – Breaking Dawn Part 2′ (Bill Condon)

4. ‘Hotel Transylvania’ (Genndy Tartakovsky) http://boxd.it/uxt1

5. ‘The Five-Year Engagement’ (Nicholas Stoller) http://boxd.it/j4FP

6. ‘Prometheus’ (Ridley Scott)

7. ‘A Thousand Words’ (Brian Robbins)

8. ‘Snow White & The Huntsman’ (Rupert Sanders)

9. ‘Paranormal Activity 4′ (Henry Joost/Ariel Schulman)

10. ‘Dark Shadows’ (Tim Burton) http://boxd.it/ebrb

 

With the proverbial turds flushed down the commode. Here are my favourites :-)

Celluloidical’s Top 10 Films Of 2012

1. ‘Moonrise Kingdom’ (Wes Anderson) http://boxd.it/eMBH

2. ‘The Avengers’ (Joss Whedon) http://boxd.it/btpr

3. ‘The Dark Knight Rises’ (Christopher Nolan) http://boxd.it/jSSp

4. ‘The Hobbit: An Unexpected Journey’ (Peter Jackson) http://boxd.it/BvJZ

5. ‘Looper’ (Rian Johnson)

6. ‘Dredd’ (Pete Travis) http://boxd.it/rLKz

7 ‘Silver Linings Playbook’ (David O.Russell)

8. ‘End Of Watch’ (David Ayer) http://boxd.it/zzsT

9. ‘Skyfall’ (Sam Mendes) http://bit.ly/ZLxnIf

10. ‘Chronicle’ (Josh Trank)


Trailer Tidbits #3 (December 2012)

trailer3

 

Been a little while since my last recap. So let’s make this a gooden! On the radar today is Star Trek sequel – ‘…Into Darkness’, M Night Shyamalan’s latest excuse, ‘After Earth’. And finally, the highly anticipated Superman film – ‘Man Of Steel’.

 

‘Star Trek Into Darkness’ – Dir. J.J Abrams

Much to speculate of course, and many will. But right off the bat I’ll say this is probably the one I’m holding out for next year. The standalone voiceover of the antagonist, whoever it may be, Benedict Cumberbatch, and escalating score really does build this one way way waaaay up. Great stuff. Draw your own conclusion at the trailer’s close.

 

‘After Earth’ – Dir. M. Night Shyamalan

Without question, this could easily be the biggest flop for next year. Haven’t we seen all this before??

 

‘Man Of Steel’ – Dir. Zack Snyder

Ok, Zack, I’m sold. Taking an enormous cue from producer Christopher Nolan, and a nuance that only could be attributed to the work of Terrence Malick – this retelling of the Superman origin could possibly surprise many. It’s not the most action packed of all trailers, but it goes more along the lines of building character and outlining what could be a very interesting and engaging screenplay. Cavill looks the part indeed, and we’re given brief glimpses of Lawrence Fishburne as Perry White, Amy Adams as Lois Lane, and Michael Shannon as the incomparable Zod! Check the fuck out!

 


#26 ‘Skyfall’ (2012)

20121126-140029.jpg

Cast:-

*Daniel Craig

*Judi Dench

*Javier Bardem

*Naomie Harris

*Ralph Fiennes

*Ben Whishaw

Director:- Sam Mendes

(Not much plot retread, only my thoughts)

Skyfall is undoubtedly one of the biggest revelations of the year for me. Ignoring the reviews and opinions of the many users on Twitter – I went into this with a horrible taste in my mouth left by the sleep-inducing entry that was Quantum Of Solace. And with expectations low, i was conpletely won over.

By almost literally going back to basics, and learning from convoluted mess made by the last few Bond films, Sam Mendes has effectively brought the elements of vintage James Bond – and seamlessly integrated them into the modern broken and fallable incarnation of the spy.

Sure, this film is ‘big’, but it’s only in small doses, and does more than compensate. The action is story driven, and actually plays out for audience and character reaction. Something sorely misused and underplayed during previous films (sorry, Brosnan). The direction of action is steady, crisp and not rushed (unlike others) – which makes the film all the more enjoyable and doesn’t affect the run time negatively.

Daniel Craig’s Bond is a lost soul more than ever but it’s this dark, deep-rooted pain that encapsulates him that makes him probably the most interesting and connective Bond that we have seen on screen. The suave, sexy, cool facade is all there, however Craig conveys the apparent tumultuous internal conflicts of 007 quite effortlessly. He is far more comfortable in the role.

At the films opening we are diverted away from the quote on quote – typical Bond opener. As a shadowed Craig walks through a dimly lit walkway, eventually meeting the camera with his trademark icy blue stare. It’s instantly memorable and a testament to the old adage ‘less is more’ – and indeed it is.

Though the story is generally reminiscent in some parts to ‘Goldeneye’, the exposition clearly takes the motives of the film’s principal villain, ‘Silva’ (Javier Bardem) to a sinisterly twisted level. Adopting a sadistic, perverted lust for revenge against former ally ‘M’ (Judi Dench). The character is also unquestionably a stark reminder of what James Bond himself could become if he continues down the path he treads. Conclusively, Skyfall is what I’d call Bond’s ‘crystal ball’ movie.

Saying that, however – the film is also 007′s story of resurrection and redemption – both literally and figuratively. All tying up at a showdown at Bond’s childhood home. Leading to an extremely familiar set up at the close of the film – a promising and exciting prospect. Coupled with a tag line of ‘James Bond Will Return’ – it gets you frenzied with anticipation.

Suitably polished off by the reintroduction of ‘Q’ – portrayed eloquently by Ben Whishaw and a particularly impressive turn of ‘will he, won’t he’ from Ralph Fiennes’ Gareth Mallory, chairman of the Intelligence & Security Committee and somewhat overseer of MI6. Fans of new and old will find something to sate their appetites.

Beyond that, there is so much to behold with Skyfall. I implore any film fan to give this a watch.

;

8/10


‘The Shining’ (1980) – Screening Reaction

“Are we there yet?”

So last week I was fortunate enough to get tickets to a special screening of Stanley Kubrick’s ‘The Shining’. Here are my thoughts after my first rewatch since buying the DVD.

An undeniably perfect example of pure terror and the degeneration of the human psyche. Jack Nicholson carries the weight with conviction and ease. Littered with allusions and unanswered questions – it’s a testament to modern horror. It instills fear, it instills dread. With an absorbing, but blank setting that in itself becomes characterised through the unravelling of events – The Shining culminates in one of the most memorable climaxes I’ve witnessed in any movie. Giving audience perspectives of the 4 main characters without losing any sense of atmosphere or tension of whats to come. Simple, but effective editing and cinematography used intelligently.

Beautifully photographed and amazingly acted. A Kubrickian classic.

9/10


‘Movie Talk On Sunday’ #MTOS 21/10/2012

So after nearly a whole year since my last chance, I am finally hosting ‘Movie Talk On Sunday’ on Twitter for Sunday 21st October 2012! And my subject will be Award-winning directing duo – The Coen Brothers, Joel and Ethan.

For information on #MTOS, and how you can get involved – Check further down for a direct link.

From the noir-style thriller of ‘Blood Simple’, to the absurd and off-beat ‘The Big Lebowski’, to the incomparable ‘No Country For Old Men’ - The Coens redefined genre filmmaking in the late 80′s, the 90′s all the way through to this decade. Combining elements of dark humour, high tension, eccentric characters and grisly violence that has become a formula for some of the most highly praised films of the modern era.

The Coen Brothers Wikipedia Page

The Coen Brothers Filmography

Find out more about ‘Movie Talk On Sunday’ (#MTOS) and see how you can get involved!

Also, you can follow the creators of #MTOS on Twitter – @raghavmodi and @askimrach

Here are my questions for #MTOS for Sunday 21st October. Kicking off at 8:00pm GMT!

Hope to see you all there!

—————————————————————————————————————————


Q1.Let’s start with the classic…. What are your favourite Joel & Ethan Coen films, and what makes them so? #MTOS

Q2.What are your least favourites? What didn’t work? #MTOS

Q3.Is there a quote or line from one of their films that you have a fondness for? #MTOS

Q4.Have the frequent collaborations with Roger Deakins (cinematography) and Carter Burwell (score) been pivotal in their success? #MTOS

Q5.Which character from a Coens film do you mostly associate with them, and why? #MTOS

Q6.Create a dream ensemble cast from existing Coens films (i.e Male lead/support,female lead/support) #MTOS

Q7.Be it positive or negative. Is there a defining moment in a Coens movie that had an effect on you as a film fan? #MTOS

Q8.Which story/existing material would you like to see the Coens put their unique spin on? #MTOS

Q9.Best performance? In any capacity (i.e particular scene, entire movie) #MTOS

Q10.In an era where CGI/action flicks dominate Hollywood – Are the Coens still relevant to modern cinema? #MTOS


Trailer Tidbits #2 (September 2012)

Today, I take a closer look at the recent ‘Lincoln’ trailer, directed by Steven Spielberg and starring Daniel Day-Lewis. Also the latest Walt Disney animated feature – ‘Wreck-It Ralph’ and the highly anticipated ‘Looper’ – boasting Joseph Gordon-Levitt and Bruce Willis.

‘Lincoln’ – Dir. Steven Spielberg

After the backing out of Liam Neeson, another capable British thesp in the form of Daniel Day-Lewis features as the most popular President in the history of The United States. This first trailer, giving us an insight into Abraham Lincoln’s turbulent few months during the Civil War. Speculated to be a massive hit – the trailer itself is played for drama, focussing on debating parties and briefly glimpsing at a troubled Lincoln. Interspersed with imagery from the Civil War, the plight of slaves and Lincoln’s allies rallying in support.  For me, this really feels boxed-in for Spielberg movie. I feel no overwhelming desire to take heed or even wonder at the prospect of seeing this film. It’s something I’ve never experienced before with this director. I sincerely hope I am proven wrong.

‘Wreck-It Ralph’ – Dir. Rich Moore

Another hotly tipped movie, this time coming from the animation studios of Disney. ‘Wreck-It Ralph’ may be on paper a basic story of redemption, or ‘doing that bit more’. But it looks like a lot of fun with its endless video game character cameos that we’ve seen from the first trailer as well as this latest one. It’s a familiar plot outline, but executed in a way we haven’t seen before. Keep an eye out – I’m looking forward to this one.

‘Looper’ – Dir. Rian Johnson

Joseph Gordon-Levitt plays Joe Simmons, a mafia hitman and a ‘Looper’ that is tasked to travel back in time in order to kill an agent on the condition that all targets must never escape. But, after realising that the target is a future version of himself, played by Bruce Willis. Shit conveniently hits the fan. Already receiving encouraging reviews, ‘Looper’ is said to be the best sci-fi film since Duncan Jones’ ‘Moon’ and one of the best overall of the year so far. Teeming with some striking visual flair and a host of tense action sequences. This is certainly one of the best trailers I’ve seen for some time.


Trailer Tidbits #1 (July 2012)

A quick look on my 3 favourite movie trailers that have surfaced this month… Ang Lee’s ‘Life Of Pi’, the ‘already looking epic’ ‘Cloud Atlas’, and Paul Thomas Anderson’s Scientology poke - ‘The Master’

‘Life Of Pi’

Yann Martel’s story of survival and discovery has fallen into the very capable hands of acclaimed director, Ang Lee. While his thriller ‘Lust, Caution’ was surrounded by controversy – this one looks to make the press for far more positive reasons. With a pulsating opening disaster sequence, and some vibrant, beautifully captured external shots. ‘Life Of Pi’ may just be in-line for an Academy nod.

‘Cloud Atlas’

From another best-selling novel – The Wachowski Brothers co-direct (with Tom Tyker) the multiple storied yarn of humankind and the soul. And boasts some acting heavyweights in this 5 minute trailer. We can easily forget ‘Speed Racer’.

An extremely inventive story from English novelist, David Mitchell – pick it up before release.

‘The Master’

By now, every single human should know of P.T Anderson’s near-faultless ‘There Will Be Blood’… With that said, welcome to the next step in Mr Anderson’s plot for world domination… HE’S GOT THE PHOENIX!

So there’s my top 3 trailers for this month. What’s looking good for you? Hit me up on the comment section.

Scott


#25 ‘Prometheus’ (2012)

Fass obviously saw his future wang endowment after gazing into his cosmic crystal ball

Cast:-

*Noomi Rapace

*Michael Fassbender

*Charlize Theron

*Logan Marshall-Green

*Idris Elba

Director:- Ridley Scott

MILD SPOILER ALERT!

Without question, Prometheus is the most anticipated movie of 2012 – argue with it what you will.. But it’s a cold hard fact. Namely because it heralds the return to the sci-fi genre of one Sir Ridley Scott – one of the greatest filmmakers of our time. And after over 30 years since his first sci-fi feature, Alien, Mr Scott returns to the franchise that chained one of the greatest film series of our time. But has he, and such a wonderfully talented cast delivered what we’ve eagerly been anticipating?

In a nutshell – Prometheus is a sci-fi spectacle that delves into one of the most posed questions by the human race. Where do we come from? After discovering ancient markings courtesy of ancient civilisations that have a striking parallel - Doctors Elizabeth Shaw (Rapace) and Charlie Holloway (Marshall-Green) lead a 17-strong expedition paid by the Weyland Corporation to investigate a distant planet literally written in the stars, in the hope of finding the answers they seek to the beginnings of human life.

On a production standpoint - Prometheus is visually astounding. Seamlessly blending physical sets with amazing computer generated imagery. Landscapes and beautifully shot vistas are undeniably epic in their scale, beauty and atmospheric effect… And give the film an extremely grandiose aura, harkening to some of Scott’s more recent work. It certainly gives credence to the frequent statement from various medias that Prometheus is a BIG film, in all its aspects and ideas. Building a whole new blueprint to work from (Yes that’s a minor spoiler, this film does bait for sequels). With a production on this scale and a superb bout of timely effort by the designers, the performances and stunt work in some external action scenes are lifted to a higher plane - far away from the craptastic green screen factory line that Hollywood have churned mile after mile of uninspiring bloke flicks on a continual cycle. A very refreshing and welcome shift for a big budget production. No doubt Ridley has set a benchmark here.

Unfortunately, that is where the film’s positive notes end. Because the film, as an entire package, is extremely disappointing.

Prometheus’ running idea of challenging opposing beliefs is highly abundant throughout the film’s first half. Irrevocably, it does nothing to drive the plot or premise of the film – leads to absolutely no character development or actual culmination, and certainly does not make for memorable, or even notable dialogue between the crew mates. A strong aspect of Scott’s ‘Alien’, was the camaraderie between the team aboard the Nostromo. As opposed to this film – With what is a rather extensive crew,  are barely even given arm’s-length to stretch their characters and are, as predicted, merely just lambs to the slaughter. Shaw and Holloway’s relationship is kind of a surprise(?)… we get a teeny bit of insight on their past during one scene midway through the film – but as a whole, the exposition police are still at the station eating donuts.  Shaw, individually, is actually given a few brief flashback moments thanks to some nosey digging of synthetic bod ‘David’ (a pitch perfect Fassbender). But it only amounts to more questions surrounding the Doctor’s ‘faith’ and ‘belief’ of there are really answers out there for what she’s looking for. It’s a real shame, as these ideas surrounding the subject are logical and reasonable – but it’s not constructively or appropriately developed. Rapace borders from passionate scientist come religious optimist (notably pitted against her partner Charlie – who is more privy to the scientific theory of humanity’s origin), to a reasonably small-scale heroine. In perhaps one of the closest scenes to Kane’s chestburster surprise in Alien, Rapace’s Shaw is subject to some pretty gut wrenching stuff. Subsequently stepping over that border aforementioned. For me, Noomi Rapace doesn’t really excel here – more a case of what she was given to work with.

Elsewhere there’s an impressive performance from Charlize Theron, as Weyland overseer, Vickers. Using her icy attributes and pragmatic nature to carry the film’s more ‘diplomatic’ moments and rather channelling franchise poster-girl Ellen Ripley. Idris Elba was a major surprise as perhaps another throwback to the early Alien movies, playing the ship’s captain – Janek. There’s a definite attitude, a groove that he runs on – engaging in some interesting sequences with the two female leads. Though his screen time was small at best, he was perhaps one of the more characterised crew members of Prometheus.

Michael Fassbender, is on another level as the ship’s caretaker/android ‘David’, who oversees the operation of the Prometheus for the two years that the crew remain in stasis. Our introduction to David is probably my favourite sequence in the entire movie. Fassbender almost seems like he’s fresh out of the mould – the mannerisms, a cold and disconcerting tone and quite often humourous nature really notches up some points. Really something. Proving yet again that he is one of the most versatile and talented actors working today.

Prometheus – though with its stunning visuals and fairly strong cast. Massively falters on its most important aspect – the story. With a very intriguing premise, and being overwhelmed with anticipation being such a huge Ridley Scott fan – I was disheartened to see such a promising start keel over near the half way hurdle. It spills out of steady hands into a structure that is fragmented and a very loosely ended narrative. Seriously dampening the efforts from the cast.

Without speculating about sequels - there’s an immediate brain wave after watching the film that not enough back story or development is given to the planet-dwelling (sort of) antagonists. Rendering the film’s last 20-30 minutes nose-pinchingly redundant. Additionally, one of the film’s most important and key moments – unfortunately destroys the entire idea of this being an Alien prequel, completely blowing one of the most mystifying aspects of the franchise’s history out of the water. Fact is, yes it is an Alien prequel, regardless of what’s been reported (sharing ‘strands of Alien DNA’ is a double-entendre, people). Even though some of the references to the franchise are incidentally misplaced that it almost seems less ambiguous and more ‘here look at this little easter egg we tacked on’.

Undoubtedly, opinions will be split right down the middle for Ridley Scott’s return to science fiction, and though the film sets out to ask the great question. We are left asking ourselves a shit load more by the end…

6/10


Follow

Get every new post delivered to your Inbox.

Join 2,251 other followers

%d bloggers like this: